真整齊影像筆記好看布列松說他自己是個不折不扣的觀察家而不是故事作者讓我想起二十世紀初文人畫與現實主義繪畫的抗衡Copy from copies or copy from reality鏡頭已全告訴我們了/「《中国职场好榜样》」「久久伴游」
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"Death to Videodrome! Long live the New Flesh!" Similar visual representations are used again later in Naked Lunch (1991), applied to the creative process.